Fierrabras of 1823 is the last of Franz Schubert’s stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. Based on an old French 12th-century epic, the plot depicts the military conflict between Christians and Moors at the time of Charlemagne – as a backdrop to stories of love and friendship that prove to be stronger than war and hatred of otherness. The strong cast includes the “marvellously expressive miracle Dorothea Röschmann” (Die Zeit) and “Michael Schade, who exudes his exceptional tenor in Fierrabras’s heroic arias” (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold “the melos, the poetry, the sweetness and the dramatic force of Schubert’s highly refined and atmospheric sound worlds” (Kleine Zeitung) in highly romantic fashion.

Schubert Opera composed in 1823 but not performed until 1988. It is set in a medieval world and based on La Chanson de Roland and the legend of the love between Eginhard and Emma. Live performance from 2007 at the Opernhaus Zürich.

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Olaf tries to make his dreams reality and thereby always gets into trouble with his surroundings. He meets his biggest obstacle yet when his father pressures him into having a child. Finding a woman becomes difficult when Olaf realizes that they have something he doesn't have: feelings.

Performance of Schubert's Ave Maria.

As one of the youngest winners ever in the International Frederick Chopin Piano Competition in 1975, Krystian Zimerman went on to an international career and has performed with all major orchestras and conductors. This 1987 film captures Zimerman at the height of his powers in riveting performances of Chopin and Schubert.

Director Peter Webber's dramatized exploration of the tumultuous life of Austrian composer Franz Schubert exposes the stark contradictions of the legendary artist, whose dark personal life was often veiled by his astonishing musical feats. Despite his many unseemly affairs, shameful transgressions and eventual hospitalization for syphilis, Schubert created some of the most melodic and mellifluous compositions known to man.

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Keen to dispel some long-held misconceptions about the compositions of Franz Schubert, renowned Austrian pianist Alfred Brendel uses words and music to make his case in this third volume of his engaging performance series. Here, Brendel offers brilliantly nuanced performances and insightful musical analysis of the revered Romantic composer's Sonata in G Major, D. 894, and Impromptus D. 899 and D. 935.